Wednesday, 10 November 2010

I Killed My Mother Review

I Killed My Mother
Starring: Xavier Dolan, Anne Dorval, Francois Arnaud, and Suzanne Clement
Written/Directed by: Xavier Dolan

Auteur director, Xavier Dolan, might have been born Spielberg’s illegitimate love child. Not really but maybe?


Twenty years old, with two (very successful) consecutive years at The Cannes Film Festival, and the 2010 Sydney Film Prize for his feature film, ‘Heartbeats’, Xavier Dolan is making headway for stardom. ‘I Killed My Mother’, details the simmering, tempestuous, relationship of Hubert (a dissatisfied, gay, teenager in contemporary Montreal) and his loveable, but very kitsch and tacky mother, Chantale. Dolan has an uncanny ability to put the raw, unembellished truths of modern reality, firstly into his screenplays, but secondly onto the screen format. At times, his ‘experimental’ and ‘playful’ use of framing may seem tedious, but look beyond this, as Dolan truly captures the essence of the everyday squabble in his first full-length feature film.

Review by: Benjamin

‘I Killed My Mother’ is screening 6:30pm, Tuesday 9th, at Palace Centro, and 12:00pm Sunday 14th, Tribal Theatre. 

Scene Magazine, QLD, Issue #871
Written & Published in Scenemagazine QLD, 2010

Saturday, 6 November 2010

The Wedding Party

As apart of BIFF * Screening Nov 7th 7pm Centro and Nov 9th 4pm Tribal 
Directed by: Amanda Jane
Screenplay by: Christine Bartlette 


To see the trailer click here - The Wedding Party


Tonight as apart of the festival I will be attending the screening of 'The Wedding Party', starring the very captivating Isabel Lucas ('Transformers 2' .. as I would prefer not to remember her as Tasha from 'Home & Away'. She is also about to star in 'Red Dawn' & 'The Immortals' alongside Mickey Rourke , directed by Tarsem Singh). Isabel Lucas plays Ana Petrov, a beautiful young woman who flees Russia, desperate to stay in Australia with the man she loves. 


Cast - 
Josh Lawson, Isabel Lucas, Steve Bisley, Rhonda Burchmore, Adam Zwar, Essie Davis. 


Synopsis - 
'The Wedding Party' is a sexy romantic comedy about the Thompson Family, whose individual love lives range from deviant to delicious to downright desperate. Up to his eyeballs in debt, the youngest son Steve, agrees to marry Ana, a beautiful Russian girl for cash. When his plans for a secret registry affair are discovered by his family, Steve finds himself at the center of the world's most farcical wedding. The only problem is, Steve is in love with someone else.


Points of interest - 

  • Released 22nd July 2010 as apart of the Melbourne International Film Festival and will be released nationally December 1st 2010 
  • Budgeted Box Office - 1.8mil 
  • Filmed across Melbourne, Australia 
  • Opened the Melbourne International Film Festival with a positive response. 

BIFF Lineup

A couple of must see's for the 19th St.George Bank Brisbane International Film Festival. 

  • Machete Maidens Unleashed! - THE ULTIMATE B-MOVIE *Screening Nov 11th 8:30pm Tribal & Nov 14th 2pm Barracks
To visit website/trailer click - Machete Maidens Unleashed!



Karate-kickin' midgets! Paper-mâché monsters! Busty babes with blades! Filipino genre films of the '70s and '80s had it all.

Boasting cheap labour, exotic scenery and non-existent health and safety regulations, the Philippines was a dreamland for exploitation filmmakers whose renegade productions were soon engulfing drive-in screens around the globe like a tidal schlock-wave!

At last, the all-too-often overlooked world of drive-in filler from Manila gets the Mark Hartley (NOT QUITE HOLLYWOOD) treatment in Machete Maidens Unleashed!. This is the ultimate insiders' account of a faraway backlot where stunt men came cheap, plot was obsolete and the make-up guy was packin' heat!

Machete Maidens Unleashed! features interviews with cult movie icons Roger Corman, Joe Dante, John Landis, Sid Haig, Eddie Romero and a large assembly of cast, crew and critics, each with a jaw-dropping story to tell about filmmaking with no budget, no scruples, no boundaries and - more often than not - no clothes.

  •  Brotherhood - Gay Danish Neo-Nazis in Love!...Yep *Screening Nov 6th 2pm at Tribal and Nov 10th 6pm Tribal 
Brotherhood is a special plea for tolerance of and compassion for…neo-Nazis. In this supremely wrongheaded Danish film, Lars (Thure Lindhardt) joins such a group, after being denied an army promotion for supposedly making gay advances to his troops. He becomes roommates with one of its members, Jimmy (David Dencik), and eventually the two fall in love, a secret they must share as they join their group on nighttime attacks on gays and Iraqi refugees.

  • Rubber - A disgruntled, psychic rubber tyre, goes on a murderous rampage... Can anybody say 'instant classic?' *Screening 6th Nov 11:30 Tribal and 11th Nov 6pm Tribal 

Would we lie to you? This movie is every bit as weird as you'd expect, but it won independent filmmaker Quentin Dupieux (aka electronic music producer Mr Oizo) a 2010 Critics' Week screening at Cannes this year, and achieved instant cult status.


After having his affections for a beautiful woman rebuffed, the all-weather protagonist takes out his anger management issues on everyone he encounters using his deadly telekinetic powers.


An absurdist road movie, Rubber goes where others fear to tread.

  • Too Much Pussy! Feminist Sluts, a Queer X Show - The title says it all. *Screening Nov 11th 8:30 Centro 
A documentary road-movie about 7 young women's artists on tour on a bus, all over Europe this summer, who create on stage a manifesto on feminism, sex, art and education.


  • Red Hill - Revenge just rode into town. *Screening 12th Nov 9pm Centro ONLY! (Jump onto this!) 
To visit the website - Red Hill
To see the trailer - Red Hill Trailer


It's in the form of escaped Aboriginal convict Jimmy Conway (Tommy Lewis, The Chant Of Jimmy Blacksmith), but this neo-western isn't just about black-white race relations in the Australian bush. It centres on the blooding of a young policeman (Ryan Kwanten of HBO's True Blood), new to this small country town, who has to deal with Conway's bloody campaign of revenge against the local cops.
Director Patrick Hughes brings us a contemporary take on the western genre, creating a film that is often violent and blood-soaked, but never predictable.

Robin Hood Review (DVD Release!)

Yes, the DVD release of Scott's 'Robin Hood' is upon us! So, I  thought I would post my rather negative piece I conjured up after regrettably paying my $13.50 to see the film at the cinemas. I would have preferred to have purchased the fabric necessary to craft my own tunic instead.... alas. 



Dir: Ridley Scott, US Action Drama, 140minutes; Russell Crowe, Cate Blanchett, Max von Sydow, William Hurt, Mark Strong, Oscar Isaac

Like a misfired arrow, from a terribly warped bow, 'Robin Hood', is as gratifying as recoil to bare wrists. Unfortunately, Ridley Scott falls so short of his target it may have been more worthwhile not loading the bow and leaving our beloved Robin of Loxley with Cary Elwes merry men in 'Robin Hood: Men In Tights (US 1993)'; tights, tights, tights!
A prequel to the well-known legend of Robin Hood, the film is severely lacking in mystery, character depth, and narrative excitement. In turn, what we are left with is a cinematographer’s porno, extremely well shot HD slow motion arrow releases - bravo John Mathieson, the cinematographer. Alas, the closest resemblance to former Scott masterpiece’s like 'Gladiator' is Crowe’s hair. Our favorite veteran director has resorted to moments of kitsch Hollywood tackiness and one liner’s that undeniably make a long film even longer. But peering through the story bog there are certain moments of filmic satisfaction, though one cannot help but long for greater things from such an established director.

Robin Longstride (Crowe) is our strongly willed grounded, commoner and hero. An orphan through circumstance, he is but a yeoman turned archer amongst the ranks of King Richard’s (Danny Huston) crusade against France. Upon word of the King’s death, Longstride opts to turn nomad (merry men included). Though whilst returning home to England they stumble upon the traitorous ambush of Sir Robin Loxley, who by chance is returning the King’s crown to London destined for Prince John (Oscar Isaac), Richard’s somewhat simple minded, greed driven, and naïve younger brother. True to his word, Longstride accepts Loxley’s dying wish to take the crown to London, and then return his sword to Nottingham, where Maid Marion (Blanchett) and father Sir Walter Loxley (a very notable Max von Sydow) reside – it seems Longstride may just have found his place in the world, now he must protect it!
Set in 12th century France/England, there is no denying Scott truly pays homage to the period in which his films are set allowing you to easily transcend into the story being unfolded. London is a small city on the Thames, brilliantly portrayed through computer generated effects and set design. This is handy as the majority of the first hour is based around Prince John and his royal antics leaving you truly questioning who the film is actually about - Longstride or John. Crowe is dull. He seems completely unenthusiastic to his role. Though this incidentally draws attention to his brigade of men (little John included) allowing a greater empathy for them than to Robin, who falls wayside the entire film. Unfortunately, Ridley did not consider Nottingham forest as a character like figure in the story; it had no elements of intrigue or mystery, and upon the concluding the film with an obvious sequel planned, you really can’t connect with this hooded forest outlaw whatsoever.

For such a mediocre film to open The Cannes Film Festival is a true disappointed, all in all, this film won’t be making an appearance in Ridley’s Oscar studded portfolio anytime soon. 

If you can be bothered to see the full trailer - ROBIN HOOD

Summer Coda Review


Rachel Taylor, Alex Dimitriades, Angus Sampson, Nathan Phillips, Susie Porter, Pacharo Mzembe
Directed by Richard Gray
Published in Scene Magazine - Issue #868

Coda, can be defined as: the final section of a musical composition. And so by this definition, ‘Summer Coda’, is one filmic performance well worthy of one or two encores!

With an enchanting score, first time feature director, Richard Gray, takes us on a journey from the heart of the Nevada desert, to the seed of the Australian orange, Mildura (North-Western Victoria). It is here where Heidi (Rachel Taylor) is thrown into her forgotten past, and consequentially, into Michael’s (Alex Dimitriades) bunch of quasi-nomadic, orange grove pickers! Sensational performances ooze from the all-Australian cast and with a soundtrack including Liam Finn and Augie March (among others), this juice is definitely worth the squeeze!

Review by Benjamin

Summer Coda opens screens from the 21st October 2010

Summer Coda - Interview with Director Richard Gray




Whilst waiting in the foyer of the Quayside Hotel, Brisbane, I noticed Richard from the previous nights Q&A – sucking down a banana smoothie, long black on the side. He tells me he’s mid-recovery from last night’s drinks with actor, Pacharo Mzembe (‘Summer Coda’ - Monty), but showing only the faintest signs of tiredness, Gray, launches into discussion on his very polished, debut feature. And with a film completely based on oranges…I thought it best first to ask why his smoothie isn’t citrus inspired. 

“Well, I guess I have to say Orange, don’t I?” Gray jokes. He then appeals to the nearby waitress; “WHERE’S THE FRESH ORANGE JUICE?”

“It’s been such a cool thing to do. I mean, not only fourteen months ago the film wasn’t going to get made… then we just decided FUCK IT; we’ll go for it!

“I wanted to offer something that was a little bit different. I have made choices as a director, on the cinematography, music, and performance - the craft side of things is very important to me. Particularly in an Australian film, because it’s so hard to get people to even go and see the film. I’m really wary of wanting the film to be worth your ticket. Wanting people to see it on the big screen. The score, the songs, we’ve put a lot of work into the making the film a big screen experience.”

(To read any further you’ll have to see the full publication in ‘Scene Magazine’)

See the full trailer - SUMMER CODA
See the website for more details - www.summercoda.com

Wednesday, 3 November 2010

Jackass 3D Review

Now you can have shit, literally coming off the screen and into your mouth..... yes, please! 


**side note - The 3D effects were pretty extraordinary. 
Johnny Knoxville and gang have returned once more.. and once again, they've give us a series of stunts (some utterly insane, wilder, and more vulgar than last time) that is indescribably enjoying to watch.... at times. Although my head did wander off-screen, navigating the exit door, due to excessive barfing (and yes, splutters were occurring mid-screening around the audience), it wouldn't be 'Jackass' without it. 
‘Too dangerous’, only means to take that extra step further, urinate on it, and throw some additional live snakes and fire into the equation! 'Too Gross', only means to eat someone else's shit, vomit, and then eat the vomit whilst vomiting again....but it wouldn’t be ‘Jackass’ without it! 


Written & Published in Scenemagazine QLD, 2010 Issue#875