Thursday 3 February 2011

Sanctum 3D Review

Just tell me, why the need for American accents!?



Inspired by the horrific, near-death, experience of the film’s screenwriter, renowned adventurer, Andrew Wight, ‘Sanctum’, very sadly (for a predominantly Australian picture) doesn’t deliver the gold. The American accents, in particular, Welshman, Loan Gruffudd (‘The Fantastic Four’), seem very unrefined among the random all-sorts of performances. With the addition of poor lighting and attention to detail, the film at times leaves you feeling like you’re watching an underwater episode of ‘Stargate Atlantis’. This film is a gallant attempt, that showed lots of potential (especially with James Cameron’s involvement), though slips into the category of trying to be grander than it actually is.

Check out the trailer below; 

This now brings us to the end of our Sanctum saga; BTK
Review written & published for Scene Magazine QLD

Bridesmaids; News Flash

Australian cinema audiences have always been engaged by wedding-themed comedies - Four Weddings, Muriel's Wedding, My Best Friend's Wedding, 27 Dresses, Bride Wars....the list of hit films is endless. This year Universal and producer Judd Apatow (Knocked Up) invite you to frock up for a comedy experience about a maid of honour whose life unravels as she leads her best friend and a group of colourfulBRIDESMAIDS on a wild ride down the road to matrimony.

Annie’s (Kristen Wiig) life is a mess. But when she finds out her lifetime best friend is engaged, she simply must serve as Lillian’s (Maya Rudolph) maid of honour. Though lovelorn and broke, Annie bluffs her way through the expensive and bizarre rituals. With one chance to get it perfect, she’ll show Lillian and her bridesmaids (including a star turn by Australia's Rose Byrne) just how far you’ll go for someone you love.

Save the date - the Bridesmaids are heading to cinemas on June 30, 2011.





Check out the trailer; was officially released today. 


Tuesday 1 February 2011

Faster Review


Directed byGeorge Tillman, Jr.
Produced byTony Gayton
Liz Glotzer
Martin Shafer
Robert Teitel
Written byTony Gayton
Joe Gayton
StarringDwayne Johnson
Billy Bob Thornton
Carla Gugino
Moon Bloodgood
Oliver Jackson-Cohen
Maggie Grace
Matt Gerald

(Released Nationally (AUS) from February 3rd) 


Screenwriting lesson 1.01; to make the modern day anti-hero just a little more badass, make sure you adorn their left forearm (or really on place on their body) with a tattoo tally of their kills whilst in prison... nobody would ever mess with someone like that!!? 


Vengeance is a meal best served cold! 'Faster is literally everything its poster suggests. The Rock, aka Dwayne Johnson, is our modern day (badly written, Clint Eastwood), cowboy/anti-hero with the sole goal of serving justice to those who have wronged him! In other words; he is our gun toting, tat-adorned, 125kg, brooding bad arse, fresh out of jail to unleash havoc across small town Nevada! 
Saddled into his 1971 Chevrolet Chevelle SS (which is literally just a beefed out as Johnson himself), his Ruger Super Red Hawk Alaskan Chambered in 454 Casull on his hip (that monstrous weapon he hulks about), there's a new stench that's just rolled into town.... can you smell what The Rock is cooking!? (i'm just warming you up for the sort of writing you're in for, don't blame me!) 


Obviously, if you haven't picked it already, this is a film for the boy's. Where really, you'll most probably forget about the story (if any), and stare google eyed at the actual size of Dwayne Johnson, fictionalising how you are actually going to spend the next 6months in the gym, four times a week. And then of course, you'll be mesmerized by the ever so attractive Maggie Grace (best remembered as Liam Neeson's daughter Kim in 'Taken' 2008), who has most certainly grown up in the last 2 years! 
If anything, this film is a good bit of poorly written fun; corny one-liners, only ad to the excitement in a film where the muscle, guns, cars, and girls, ultimately out weigh any of the performances...but honestly, can you expect anything less from The Rock! All performances are mediocre at best (very much inclusive of Billy Bob Thorton), but really why act, when you can stand around, look amazing, and be brooding! If anything, the 'Twilight' Saga has taught us this! 


Check it out, or simply check out the poster, they're practically one and the same! 


Trailer below; 


Review for BTK; Benjamin 

Monday 31 January 2011

Interview; Sanctum 3D


James Cameron’s – Sanctum 3D
Interview; Director Alister Grierson

The invitation list to Cameron’s ‘Avatar’ film set went as follows; Steven Spielberg, Peter Jackson, and then Alister Grierson.

If you casually refer to the almighty Saint of storytelling, James Cameron, as ‘Jim’, you have already unwrapped your golden ticket to a Hollywood success story. Though having the self proclaimed ‘king of the world’ as your mentor; Alister Grierson, you have hit the lotto twice! Director of this year’s, 3D epic, ‘Sanctum’, Grierson, in collaboration with world-renowned adventurer, Andrew Wight, jam us tightly into the majestic, inner watery worlds of the cave diver. The film is a tightly written, claustrophobic watch, and incredibly only Grierson’s second feature!

“The script wasn’t presented to me as a job offer; it was something that I happened to stumble across. It was very clear to me that the script was written by people who generally knew these worlds. The language of the film; the way that the characters spoke to each other, the way the scenes were described – it was obvious that the people who were going to make this movie knew these worlds intimately!” Grierson said.

“I ended up pursuing the project, then discovered there was a Cameron connection and they wanted to shoot it in 3D. This really blew me away as a concept, because the underwater environment is so perfect for 3D!”

Technically, ‘Sanctum’ is a filmmakers’ Everest. Seventy percent of the time shooting 3D underwater, for a low budget, and tight schedule, the picture is an extremely challenging and gallant feat by all involved.

“This film was so complex – the water, no light, and in 3D, you had to be triply prepared for your day’s work. For each diver, you’d have at least another three in the water for safety, lighting, or shooting. So, you can imagine what it’s like getting twenty people into position underwater – it takes a lot of logistics! I often find the really tricky part about filmmaking is, on the one hand you can be very prepared, but at the same time, you have to be able to throw it all away as well! A large part of your job as director is about saying ‘no’, but it is also about saying ‘yes’. It’s about being prepared to throw away all your preparation and run in the moment, with what’s in front of you.” Grierson explained.

“I cannot tell you how much I’ve learnt making the picture, especially with Jim’s guiding hand, he’s been very much an arm’s length mentor! Almost every creative decision I’d run through Jim. He was obviously very, very busy, making Avatar, but 99% of the time he’d fire feedback saying; ‘great, love it’. While other times he’d suggest, ‘have you thought about this’ or ‘this particular scene could be about the character and the landscape, let’s try and open it up a little’. He really is a master storyteller and a master at understanding audience’s needs, how they will read a film, and how they’re going to respond to things.”

Releasing simultaneously across 3,500 screens in the USA, and another 4,000 screens worldwide, Universal Studios are pulling out all stops for the film. An amazing achievement for the largely Australian cast, fingers crossed ‘Sanctum’ will inspire the Australian Film Industry for larger scale Aussie produced feature film funding.

“I hope when Australians see the film they realise the technical achievement that it is. It’s no mean feat doing what we’ve done, not to mention pulling it off on budget and on time. I think people are going to be really surprised by the film because of its scale. It’s not often you make Australian movies where your as ambitious as we were, to the scale of what you see on screen, I really think we’ve pulled it off!”

“I hope people recognise that there’s room in the market place to have a whole array of different styled films. From genre, to the stuff we do really well, like melodramas. Films like, ‘Animal Kingdom’ - I certainly don’t ever want to push those films aside, I think they’re the backbone of the industry, but I’m hoping through ‘Sanctum’, we encourage filmmakers to be more ambitious with the stories they want to tell!”

‘Sanctum’ is to be released nationally February 3rd

No Strings Attached Review

Directed byIvan Reitman
Produced byJeffrey Clifford
Joe Medjuck
Ivan Reitman
Screenplay byElizabeth Meriwether
Story byElizabeth Meriwether
Mike Samonek
StarringAshton Kutcher
Natalie Portman
If this film has taught me anything; it's that a period mix CD, withholding such classics as 'Bleeding Love', 'I've got the World on a String', & 'Red, Red Wine'... is undeniably the way to any girls heart...... yep. 

Straight of the bat, Natalie Portman is killing it! With Black Swan, the upcoming release of Thor, and now 'No Strings', she has literally crossed the board in all facets of cinema (Thriller/Tragedy, Rom Com, Action/Adventure), in the space of six months! Someone obviously got off their deckchair in Hollywood and started throwing her name around early 2010, late 2009! 

'No Strings' is a rom com, right down to its finest little 'one liners', the merger of two A-list actors, that will inevitably bring home more money than its production costs (25million.. and from IMDB it has almost already grossed twice that). Though saying this, it achieves everything rom com's set out to achieve, with you ultimately leaving the cinema glowing that little bit brighter, and believing that little bit more in true love and eternal happiness. 

Emma (Portman), cannot commit. Married to her profession, she doesn't have time for love, life, or really any joy (The number of times we've seen this character in rom coms is mind-blowing, the first to pop-into mind is 'The Proposal'. But for some reason the audience just keeps coming back to this type of film). While Adam (Kutcher) is the struggling screenwriter, keen to break free from his celebrity father's Hollywood grip. After a lifetime of random meetings, they're finally reacquainted when Adam's father begins to date his ex-girlfriend! 

The title literally spells out the plot, and (SPOILER) they obviously get together. But undeniably this is a witty, funny script, that has a hole heap of one-liners that will leave you laughing, possibly crying, or alternatively cringing! Natalie Portman is gorgeous as always, her tears make you want to pick her up, put her in your back pocket, and cuddle her for a while! Whilst Ashton plays the charming lead like he has done so many times before ('Just Married'). 

It seems the rom-com genre is finally getting back onto its feet after such an abysmal 2010! Hopefully this is just a taste of 2011 and they'll only keep going up...... which should be noted as an achievement over 'No Strings'. 

Check out the trailer below: 

Also check out Portman's next film 'Thor'! Starring; Chris Hemsworth, Anthony Hopkins, and Portman. 

Thursday 27 January 2011

2011 Oscar Nominations

Oscar buzz! 
The one month countdown to the Oscar's has started! (Sunday, February 27th) Officially to be hosted by Anne Hathaway (WHAT THE!?) and James Franco (also nominated for Best Actor; '127 Hours').






 Australia, stand up tall, we are well and truly among the mix this year! 


Geoffrey Rush has received his fourth Oscar nomination with his supporting role as the 'Australian Speech Therapist',  in 'The Kings Speech'. With Colin Firth tipped to take home the top prize of leading Actor, for his stuttering portrayal of King George the VI. 


Nicole Kidman is nominated for her leading role in 'Rabbit Hole'. Though a solid performance, the film itself did nothing but seem dragging and overplayed (review to be posted February 7th. 


While the surprise nomination is for Jacki Weaver, for the Australian pic,  Animal Kingdom! In the running for Best Supporting Actress (BRAVO!). 


The nominations are as follows! 




Actor in a Leading Role

  • Javier Bardem in “Biutiful”
  • Jeff Bridges in “True Grit”
  • Jesse Eisenberg in “The Social Network”
  • Colin Firth in “The King's Speech”
  • James Franco in “127 Hours”

Actor in a Supporting Role

  • Christian Bale in “The Fighter”
  • John Hawkes in “Winter's Bone”
  • Jeremy Renner in “The Town”
  • Mark Ruffalo in “The Kids Are All Right”
  • Geoffrey Rush in “The King's Speech”

Actress in a Leading Role

  • Annette Bening in “The Kids Are All Right”
  • Nicole Kidman in “Rabbit Hole”
  • Jennifer Lawrence in “Winter's Bone”
  • Natalie Portman in “Black Swan”
  • Michelle Williams in “Blue Valentine”

Actress in a Supporting Role

  • Amy Adams in “The Fighter”
  • Helena Bonham Carter in “The King's Speech”
  • Melissa Leo in “The Fighter”
  • Hailee Steinfeld in “True Grit”
  • Jacki Weaver in “Animal Kingdom”

Animated Feature Film

  • “How to Train Your Dragon” Chris Sanders and Dean DeBlois
  • “The Illusionist” Sylvain Chomet
  • “Toy Story 3” Lee Unkrich

Art Direction

  • “Alice in Wonderland”
    Production Design: Robert Stromberg; Set Decoration: Karen O'Hara
  • “Harry Potter and the Deathly Hallows Part 1”
    Production Design: Stuart Craig; Set Decoration: Stephenie McMillan
  • “Inception” 
    Production Design: Guy Hendrix Dyas; Set Decoration: Larry Dias and Doug Mowat
  • “The King's Speech” 
    Production Design: Eve Stewart; Set Decoration: Judy Farr
  • “True Grit” 
    Production Design: Jess Gonchor; Set Decoration: Nancy Haigh

Cinematography

  • “Black Swan” Matthew Libatique
  • “Inception” Wally Pfister
  • “The King's Speech” Danny Cohen
  • “The Social Network” Jeff Cronenweth
  • “True Grit” Roger Deakins

Costume Design

  • “Alice in Wonderland” Colleen Atwood
  • “I Am Love” Antonella Cannarozzi
  • “The King's Speech” Jenny Beavan
  • “The Tempest” Sandy Powell
  • “True Grit” Mary Zophres

Directing

  • “Black Swan” Darren Aronofsky
  • “The Fighter” David O. Russell
  • “The King's Speech” Tom Hooper
  • “The Social Network” David Fincher
  • “True Grit” Joel Coen and Ethan Coen

Documentary (Feature)

  • “Exit through the Gift Shop” Banksy and Jaimie D'Cruz
  • “Gasland” Josh Fox and Trish Adlesic
  • “Inside Job” Charles Ferguson and Audrey Marrs
  • “Restrepo” Tim Hetherington and Sebastian Junger
  • “Waste Land” Lucy Walker and Angus Aynsley

Documentary (Short Subject)

  • “Killing in the Name” Nominees to be determined
  • “Poster Girl” Nominees to be determined
  • “Strangers No More” Karen Goodman and Kirk Simon
  • “Sun Come Up” Jennifer Redfearn and Tim Metzger
  • “The Warriors of Qiugang” Ruby Yang and Thomas Lennon

Film Editing

  • “Black Swan” Andrew Weisblum
  • “The Fighter” Pamela Martin
  • “The King's Speech” Tariq Anwar
  • “127 Hours” Jon Harris
  • “The Social Network” Angus Wall and Kirk Baxter

Foreign Language Film

  • “Biutiful” Mexico
  • “Dogtooth” Greece
  • “In a Better World” Denmark
  • “Incendies” Canada
  • “Outside the Law (Hors-la-loi)” Algeria

Makeup

  • “Barney's Version” Adrien Morot
  • “The Way Back” Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
  • “The Wolfman” Rick Baker and Dave Elsey

Music (Original Score)

  • “How to Train Your Dragon” John Powell
  • “Inception” Hans Zimmer
  • “The King's Speech” Alexandre Desplat
  • “127 Hours” A.R. Rahman
  • “The Social Network” Trent Reznor and Atticus Ross

Music (Original Song)

  • “Coming Home” from “Country Strong” Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
  • “I See the Light” from “Tangled” Music by Alan Menken Lyric by Glenn Slater
  • “If I Rise” from “127 Hours” Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
  • “We Belong Together” from “Toy Story 3" Music and Lyric by Randy Newman

Best Picture

  • “Black Swan” Mike Medavoy, Brian Oliver and Scott Franklin, Producers
  • “The Fighter” David Hoberman, Todd Lieberman and Mark Wahlberg, Producers
  • “Inception” Emma Thomas and Christopher Nolan, Producers
  • “The Kids Are All Right” Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers
  • “The King's Speech” Iain Canning, Emile Sherman and Gareth Unwin, Producers
  • “127 Hours” Christian Colson, Danny Boyle and John Smithson, Producers
  • “The Social Network” Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers
  • “Toy Story 3” Darla K. Anderson, Producer
  • “True Grit” Scott Rudin, Ethan Coen and Joel Coen, Producers
  • “Winter's Bone" Anne Rosellini and Alix Madigan-Yorkin, Producers

Short Film (Animated)

  • “Day & Night” Teddy Newton
  • “The Gruffalo” Jakob Schuh and Max Lang
  • “Let's Pollute” Geefwee Boedoe
  • “The Lost Thing” Shaun Tan and Andrew Ruhemann
  • “Madagascar, carnet de voyage (Madagascar, a Journey Diary)” Bastien Dubois

Short Film (Live Action)

  • “The Confession” Tanel Toom
  • “The Crush” Michael Creagh
  • “God of Love” Luke Matheny
  • “Na Wewe” Ivan Goldschmidt
  • “Wish 143” Ian Barnes and Samantha Waite

Sound Editing

  • “Inception” Richard King
  • “Toy Story 3” Tom Myers and Michael Silvers
  • “Tron: Legacy” Gwendolyn Yates Whittle and Addison Teague
  • “True Grit” Skip Lievsay and Craig Berkey
  • “Unstoppable” Mark P. Stoeckinger

Sound Mixing

  • “Inception” Lora Hirschberg, Gary A. Rizzo and Ed Novick
  • “The King's Speech” Paul Hamblin, Martin Jensen and John Midgley
  • “Salt” Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin
  • “The Social Network” Ren Klyce, David Parker, Michael Semanick and Mark Weingarten
  • “True Grit” Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland

Visual Effects

  • “Alice in Wonderland” Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
  • “Harry Potter and the Deathly Hallows Part 1” Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
  • “Hereafter” Michael Owens, Bryan Grill, Stephan Trojansky and Joe Farrell
  • “Inception” Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
  • “Iron Man 2” Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick

Writing (Adapted Screenplay)

  • “127 Hours” Screenplay by Danny Boyle & Simon Beaufoy
  • “The Social Network” Screenplay by Aaron Sorkin
  • “Toy Story 3” Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich
  • “True Grit” Written for the screen by Joel Coen & Ethan Coen
  • “Winter's Bone” Adapted for the screen by Debra Granik & Anne Rosellini

Writing (Original Screenplay)

  • “Another Year” Written by Mike Leigh
  • “The Fighter” Screenplay by Scott Silver and Paul Tamasy & Eric Johnson;
    Story by Keith Dorrington & Paul Tamasy & Eric Johnson
  • “Inception” Written by Christopher Nolan
  • “The Kids Are All Right” Written by Lisa Cholodenko & Stuart Blumberg
  • “The King's Speech” Screenplay by David Seidler